A moor is not a mountain XI original oil allowing her to build delicate

allowing her to build delicate

The book is dedicated to Anita

atmospheric interpretation of place

the work holds space for both reverence and unease: an intimate response to a landscape that is at once beautiful

A fine thread of gold runs through the painting—subtle

A moor is not a mountain XI original oil allowing her to build delicateIn this series of smaller paintings, Paula works with oils, cold wax, and embedded materials such as pigments and marble dust to create surfaces alive with texture and depth. Each piece emerges through an intuitive, exploratory process, where colour, mark making, and chance interplay freelypaint drips, solvent trails, and incidental textures become the starting point for the composition, guiding the work as much as the artists hand. These instinctive