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Mozart Piano Concertos 17 & 21 - Géza Anda soloist & conductor Order a Digital Download or Physical Disc:24/352.8 DXD PCM Flac Digital Download Sourced from a Columbia 6-eyes

Mozart Piano Concertos 17 & 21 - Géza Anda soloist & conductor Order a Digital Download or Physical Disc:24/352.8 DXD PCM Flac Digital Download Sourced from a Columbia 6-eyesGza Anda's complete cycle of Mozart piano concertos, recorded with the Camerata Academica of the Salzburg Mozarteum in the 1960s and early 1970s, stands as a landmark achievement in the recorded legacy of Mozarts music. His recordings of Piano Concertos Nos. 17 and 21 are often cited as the finest examples of his artistry. Andas dual role as soloist and conductor was not only rare at the time but also a natural fit for Mozarts concertos, which often

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Description

Sourced from a Columbia 6-eyes Original pressingAnalog: Transferred using a VPI - HW-40 Anniversary Direct Drive Turntable - Cartridge used Ortofon MC Anna - Merrill Jens Phono PreampDigital: Merging Hapi Analog to Digital Converter clocked by an Antelope Audio 10MX Atomic ClockPower Conditioning: Shunyata Research Everest 8000 for all componentsAll components grounded to Shunyata ALTAIRA Hubs

capturing the London Symphony Orchestra in a dazzling program of Spanish-inspired orchestral showpieces

8 Sermonette 3:53

and the surroundings create a magical moment sure to excite those who love classical music of the highest order and in the highest fidelity

Arranged By – Barney Kessel

Mozart Piano Concertos 17 & 21 - Géza Anda soloist & conductor Order a Digital Download or Physical Disc:24/352.8 DXD PCM Flac Digital Download Sourced from a Columbia 6-eyesGza Anda's complete cycle of Mozart piano concertos, recorded with the Camerata Academica of the Salzburg Mozarteum in the 1960s and early 1970s, stands as a landmark achievement in the recorded legacy of Mozarts music. His recordings of Piano Concertos Nos. 17 and 21 are often cited as the finest examples of his artistry. Andas dual role as soloist and conductor was not only rare at the time but also a natural fit for Mozarts concertos, which often

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