Machine (Boston Gay Nightclub/1991-2020) Malcolm McLaren & Vivienne Westwood and unapologetic sexuality

and unapologetic sexuality

Maud’s wasn’t just a place to drink — it was a community hub

Schrute Farms — Dwight & Mose Portrait (The Office

The bar's cultural significance was immortalized in Cole Porter's song "Well

Lenin’s image became one of the most mass-printed political portraits in modern history

Machine (Boston Gay Nightclub/1991-2020) Malcolm McLaren & Vivienne Westwood and unapologetic sexualityMachine Boston Gay Club (19912020) For nearly three decades, Machine stood at the center of Bostons leather, fetish, and after hours club culture. Opening in 1991, it became the citys primary destination for industrial, house, techno, and dark dance floor energyless about polish, more about sweat, sound, and release. This was a club built for nights that started late and ended whenever they ended. Machines identity was unapologetically nocturnal.