Japan Nanbu Tetsubin, Koizumi Nizaemon, Mentori Tamabuchi Higashiyama Gata日本南部铁瓶，御釜屋 小泉仁左衛門 十一代 面取玉縁東山形 供箱 raw puer wide profile and outstretched silhouette—reminiscent

wide profile and outstretched silhouette—reminiscent of a spider spreading its legs

Japan Nanbu Satetsu Tetsubin

王维诗 《竹里馆》的第一句：”独坐幽篁里，弹琴复长啸”

it represents a bridge between traditional compression-era tea and the evolution of modern ripe production

最早是莲子壶先出现的，早在清代雍正年或更早就已经莲子壶器形的存在了。原始的莲子器形，一圆叠一圆，从小到大，一而再再而三，表现中国传统寓意中的“连生贵子”。现在的莲子壶型基本上是下面这样子的。

Japan Nanbu Tetsubin, Koizumi Nizaemon, Mentori Tamabuchi Higashiyama Gata日本南部铁瓶，御釜屋 小泉仁左衛門 十一代 面取玉縁東山形 供箱 raw puer wide profile and outstretched silhouette—reminiscentMentori Tamabuchi Higashiyama Gata tetsubin The design intricacies of this Tetsubin are notable, as the line from the shoulder to the body is meticulously carved to create a distinct and refined appearance. To soften the edges of the surface, a ball edge technique is employed, contributing to a smoother and more elegant aesthetic. Furthermore, special attention is given to the handle, or "take" in Japanese, which is crafted using the finest