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Although the bill was successfully passed in the House of Representatives, after much debate and discussion, it ultimately failed to gain approval in the Senate

J Pharmacol Exp Ther (2013) 344:20717

[186] As Michael Bronski remarked in his book Culture Clash: " There was a hurt in her voice and an immediacy to her performance that gave the impression that it was her pain." [187] Louis Bayard of The Washington Post described Garland's voice as "throbbing," believing it to be capable of "connect[ing] with [audiences] in a way no other voice does." [188] Bayard also believed that listeners "find it hard to disentwine the sorrow in her voice from the sorrow that dogged her life," [188] a comment echoed by Dowlin: "Listening to Judy sing

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