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Rebecca Nicholson writes in The Guardian that, despite everything, she still thinks that Bridget Joness Diary the film is a gloriously messy ode to imperfection, even if some elements of the British comedy have aged quite notably. She acknowledges its profound political incorrectness and its dubious place in todays cultural context, but understands it as a product that extracts its comedy and nonsense from a world that is no longer the same as it was. In the universe of the first Bridget Jones, Nicholson recalls, the characters smoke at home, at parties, in restaurants, in pubs and in offices, as if it were Mad Men , not London in 2001. Similarly, 32-year-old Bridget is obsessed with her weight and desperate not to become a spinster. The context was different, and it is useless to judge that world of the past from the new certainties of the present

Out of the pouch the tobacco smells very sweet

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